Saturday, September 3, 2016
Travers Brothership's newest release "A Way To Survive" is a powerhouse album.
Travers Brothership is experiencing their "Golden Age" says Kyle Travers, half of the twin brother team that leads this impressively soulful project. One only has to spend 10 seconds listening to their new, kickstarter fan-funded album A Way To Survive to believe him.
Boasting the wealth of four songwriters within the band, A Way To Survive takes us back decades to the golden age of rock and roll, when albums were meant to be listened to in one complete sitting. To when bands enjoyed the process of recording and used the recorded album format as a jump-off point for creativity and experimentation. To when the song was a mere starting point, and layers of instrumental interplay were recorded with both care and thoughtful intention.
A Way To Survive opens with "Hold My Name," written and sung by bassist Josh Clark. The teasingly soft bass, organ, and guitar intro lays a quick foundation for the punctuated horn lines to announce the fully realized musical experience that's about to take place. Clark's voice is on the front lines of the Southern Soul and R&B revolution taking place in today's live music scene, with singers like Paul Janeway from St Paul and The Broken Bones.
Listening to A Way To Survive, you can't escape the feeling that this album wasn't made in today's times. It was somehow unearthed from the early 70s, when vocals and song structure were as important, and many times more important, than instrumental prowess. Before prog-rock and jambands, songs were based around the other-world sense of hearing human voices work together. From The Beatles to The Doobie Brothers, you connected with those voices first, simply because the voice is universal. Travers Brothership is reminding us of this lost art.
"Time Will Slip Away," written by Eric Travers, who's primarily on drums, (they regularly switch instruments) is a funk-bass driven rocker that features their "secret weapon," Ian McIsaac, on both keys and percussion. "We didn't want to over-produce it," says Kyle Travers, "but we wanted to add some elements that took it away from the bare-bones Brothership." Half way through, the song morphs into a conga-led percussive breakdown that builds up into the inter-weaving of organ and guitar phrases. A subtle tease of the longer jams you'll find in the Travers Brothership live shows.
While many bands place their stripped down acoustic track at the end of the album, these guys made the bold choice to feature it directly in the middle of the A-side. As a counterbalance to the more complex arrangements, "The Road Interlude" is a two chord groovy meditation on the late night drives and existential adventures of band life throughout the southeastern United States.
Find Travers Brothership tour dates here.
Listen to the Lonesome Banjo Chronicles podcast with Kyle Travers here (for iphone) or here (for android)
--Brian Paul Swenk
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Posted by Brian Swenk at 8:51 AM
Labels: Asheville nc, r&b, soul, travers brothership
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